I want to bring into a single idiom the discourse on “media” developed in Anthropomorphics and the discourse on “technics” initiated there but currently under significant refinement and expansion—this latter discourse has been organized around the perfection of the imperative. The perfection of the imperative can be further clarified or perfected by identifying the end point of the imperative, or the relay of imperatives, to be the perfection of the practice of the user. The perfection of the practice of the user is manifested in the provision of the successor practices to your own, which in turn brings the discourse of technology into the singularized succession in perpetuity composing the central intelligence. Think about composing your practices so as to ensure they are continued in a way consistent with your own construction, and that those who continue them will be such as to continue them in a way that will be consistent with their originary constitution in your own practice, and so on, for as far ahead as the mind can imagine (and part of your practice is to increase the mind’s imaginative capacity)—and making that constitutive of your practices. The question of the media has been set aside during this theoretical work, and now needs to be integrated, and the entire distinction between “media” and “technology” abolished within the discourse of scenic design practices.
Toward a Unified Idiom
Toward a Unified Idiom
Toward a Unified Idiom
I want to bring into a single idiom the discourse on “media” developed in Anthropomorphics and the discourse on “technics” initiated there but currently under significant refinement and expansion—this latter discourse has been organized around the perfection of the imperative. The perfection of the imperative can be further clarified or perfected by identifying the end point of the imperative, or the relay of imperatives, to be the perfection of the practice of the user. The perfection of the practice of the user is manifested in the provision of the successor practices to your own, which in turn brings the discourse of technology into the singularized succession in perpetuity composing the central intelligence. Think about composing your practices so as to ensure they are continued in a way consistent with your own construction, and that those who continue them will be such as to continue them in a way that will be consistent with their originary constitution in your own practice, and so on, for as far ahead as the mind can imagine (and part of your practice is to increase the mind’s imaginative capacity)—and making that constitutive of your practices. The question of the media has been set aside during this theoretical work, and now needs to be integrated, and the entire distinction between “media” and “technology” abolished within the discourse of scenic design practices.